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The History of Britain

Read by Thomas A. Copeland


John Milton


A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE a…

The Man in the Moone

Read by Thomas A. Copeland


Francis Godwin


A self-serving Spaniard discovers a means of traveling to the moon, describing his sensations in transit in terms remarkably consistent with…

Absalom and Achitophel

Read by Thomas A. Copeland


John Dryden


John Dryden published Absalom and Achitophel: A Poem in 1681. It is an elaborate historical allegory using the political situation faced by …

The Case-Book of Sherlock Holmes

Read by Thomas A. Copeland


Sir Arthur Conan Doyle


This final volume of detective stories was Doyle’s effort to put his most famous creation behind him at long last. It includes a variety of …

Monsieur Beaucaire

Read by Thomas A. Copeland


Booth Tarkington


A madcap Frenchman posing as an ambassador's barber blackmails a dishonest duke to introduce him as a nobleman to a wealthy belle of Bath. S…

Black Amazon of Mars (Version 3)

Read by Thomas A. Copeland


Leigh Douglass Brackett


In his final adventure on Mars, Eric John Stark acquires a relic of an ancient Martian hero, a gem or lens which is believed to be the key t…

Sohrab and Rustum: An Episode

Read by Thomas A. Copeland


Matthew Arnold


A young soldier born among Tartars but sired by the mighty Persian lord Rustum, serves in the Tartar army, seeking his great father. To this…

Weird Tales, Volume 1

Read by Thomas A. Copeland


E. T. A. Hoffmann


These stories form the first volume of the renowned Tales of Hoffman. They are fantasies with hints of the supernatural—quintessential Roman…

The Castle of Otranto (Version 2)

Read by Thomas A. Copeland


Horace Walpole


The Castle of Otranto is regarded as the first Gothic novel, a genre appealing to a taste for terror and set in a remote past when prodigies…

The Lady of the Shroud

Read by Thomas A. Copeland


Bram Stoker


As the title suggests, this work does flirt with the supernatural. Yet it is essentially a political novel—a utopian experiment in a fictiti…

Sir Gawain and the Green Knight (Weston Translation Version 2)

Read by Thomas A. Copeland


Jessie Laidlay Weston, Translated Byjessie Laidlay Weston and The Gawain Poettranslated Byjessie Laidlay Weston


This poem celebrates Christmas by exploring the mystery of Christ's mission on earth: his death, resurrection, and second coming as judge of…

Milton's Minor Poems

Read by Thomas A. Copeland


John Milton


“On Shakespear 1630” typifies much of Milton’s poetry. By some miracle never yet explained, at age 24 he managed to get a 16-line encomium i…

Weird Tales, Volume 2

Read by Thomas A. Copeland


E. T. A. Hoffmann


Paradoxically, it is variety that unites the tales you are about to read. They take place in widely separated countries and historical perio…

Rosalynde or, Euphues' Golden Legacie

Read by Thomas A. Copeland


Thomas Lodge


This novel, which Shakespeare adapted in his pastoral comedy As You Like It, is the archetypal pastoral adventure. Two young persons of high…

The Anniversary Poems

Read by Thomas A. Copeland


John Donne


Elizabeth Drury, daughter of Donne's patron, Sir Robert Drury, died in 1610. A year later Donne laments her hyperbolically as the soul of th…

Songs of Innocence and Experience (version 3)

Read by Thomas A. Copeland


William Blake


The short, simple lines of these delicate poems resemble song lyrics, emphasizing the concrete but hinting at transcendent realities, althou…

Twilight Sleep

Read by Thomas A. Copeland


Edith Wharton


Wharton miraculously finds it possible to satirize the very rich while simultaneously showing compassion and even grudging admiration for so…

John Donne's Satires

Read by Thomas A. Copeland


John Donne


Donne’s StyleIn John Donne’s day, a satire was such a poem as a satyr might compose. Satyrs were rough, savage creatures in Greek mythology…

Venus and Adonis (Version 2)

Read by Thomas A. Copeland


William Shakespeare


Both Ovid and Spenser also treat this ancient myth, but Spenser alters the ending, converting the tale into an archetype of fulfilled love, …

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